Writing Excuses
Un pódcast de Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler - Domingos
Categorías:
332 Episodo
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19.28: A Close Reading on Character: Internal vs External Identity
Publicado: 14/7/2024 -
19.27: A Close Reading on Character: An Overview and Why We Chose C.L. Clark's Stories
Publicado: 7/7/2024 -
19.26: Bringing Falconry into Writing
Publicado: 30/6/2024 -
19.25: From the Classroom to the Page
Publicado: 23/6/2024 -
19.24: An Interview on Worldbuilding with Arkady Martine
Publicado: 16/6/2024 -
19.23: Tying It All Together (A Close Reading on Worldbuilding)
Publicado: 9/6/2024 -
19.22: Technology and Identity (A Close Reading on Worldbuilding)
Publicado: 2/6/2024 -
19.21: Language as a Tool (A Close Reading on Worldbuilding)
Publicado: 26/5/2024 -
19.20: How to Make Worlds Feel Big Without Overwhelming the Reader (A Close Reading on Worldbuilding: Focusing on Scale)
Publicado: 19/5/2024 -
19.19: A Close Reading on Worldbuilding: An Overview and why A Memory Called Empire
Publicado: 12/5/2024 -
19.18: How to Build Fictional Economies
Publicado: 5/5/2024 -
19.17: Novellas- the Goldilocks of Publishing
Publicado: 28/4/2024 -
19.16: An Interview with Max Gladstone and Amal El-Mohtar
Publicado: 21/4/2024 -
19.15: A Close Reading on Voice: Tying It All Together
Publicado: 14/4/2024 -
19.14: A Close Reading on Voice- Epistolary Storytelling Through Voice
Publicado: 7/4/2024 -
19.13: A Close Reading on Voice: Blue's Perspective - Confidence and Vulnerability
Publicado: 31/3/2024 -
19.12: A Close Reading on Voice - Red's Perspective - Muscular Prose
Publicado: 24/3/2024 -
19.11: A Close Reading on Voice- An Overview, and Why Time War
Publicado: 17/3/2024 -
19.10: Introducing Our Close Readings Series
Publicado: 10/3/2024 -
19.09: LIVE Recording - Rituals, Rites, and Traditions
Publicado: 3/3/2024
Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler discuss writing techniques in a fast-paced format. A weekly podcast about the craft and business of writing.