History of Art
Un pódcast de Oxford University
58 Episodo
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Slade Lectures 2009: Week 4: The Caricatural: Visual Humour and Subversive Style
Publicado: 18/2/2013 -
Slade Lectures 2009: Week 3: Naturalism: Flexibility or Failure of Style?
Publicado: 18/2/2013 -
Slade Lectures 2009: Week 2: Naturalism at the Service of the Republic
Publicado: 18/2/2013 -
Slade Lectures 2009: Week 1: Defining the Dominant Naturalism
Publicado: 18/2/2013 -
Not Vital: Art is Global
Publicado: 13/12/2011 -
Slade Lectures 2010: Week 8: Walking distance from the studio: cities, maps, and myths
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 7: Transnational Surrealism: Tropiques and the role of the little magazine
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 6: Monuments and ruins: Surrealism and archaeology in the New World
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 5: Poetry, politics, and sexuality: Surrealism in Latin America
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 4: The experimental demonstration of critical paranoia: Salvador Dalí's The Tragic Myth of Millet's Angelus
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 3: Beyond art: 'the enemy within', Georges Bataille and Documents
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 2: Beyond painting: collage, objects, installations
Publicado: 18/4/2011 -
Slade Lectures 2010: Week 1: Automatism and chance: Surrealist strategies and their legacies in contemporary art and film
Publicado: 18/4/2011 -
Core Course: Modernism and Mass Culture
Publicado: 11/3/2011 -
Core Course: Women as Patrons of the Arts in Early Modern Europe
Publicado: 11/3/2011 -
Core Course: Painting as visual and material culture in Ming China
Publicado: 11/3/2011 -
Research Seminar: Michelangelo: A Life on Paper
Publicado: 26/11/2010 -
Putting China in its Place in the History of Art
Publicado: 2/12/2008
History of Art at the University of Oxford draws on a long and deep tradition of teaching and studying the subject. The core academic staff of the History of Art Department work on subjects from medieval European architecture to modern Chinese art. Over fifty associated academic staff (e.g. in Anthropology, Classics, History, Oriental Studies, and the Ruskin School of Drawing) include teachers and researchers across the full global and historical range of art and visual culture. This offers students exciting possibilities to take courses and receive supervision on a very wide range of topics, and to develop their own interests in art history.