Get Up in the Cool
Un pódcast de Cameron DeWhitt - Miercoles
462 Episodo
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Episode 413: Nathan Vargo (Diva Fiddling and Flatfooting)
Publicado: 24/7/2024 -
Episode 412: Alice Gerrard (Luther Davis' Fiddling, Tommy Jarrell's Potato Soup, and Identity Movements in Old Time)
Publicado: 17/7/2024 -
Episode 411: Earl White (Green Grass Cloggers and Spreading the Old Time Gospel)
Publicado: 10/7/2024 -
Episode 410: Collin Stackhouse (Friend with a Podcast Tax and Health Care for All Oregon)
Publicado: 3/7/2024 -
Episode 409: Call Up in the Cool No. 4
Publicado: 26/6/2024 -
Episode 408: Northern Resonance (with Tall Poppy String Band)
Publicado: 19/6/2024 -
Episode 407: Steve Rosen (Banjo Whimsy)
Publicado: 12/6/2024 -
Episode 406: Smack Young Walser (Sweet-tooth Fiddling)
Publicado: 5/6/2024 -
Episode 405: Bobcat Opossum (Tune Scavengers)
Publicado: 29/5/2024 -
Episode 404: Calvin Woodring (Old Time Harmonica)
Publicado: 22/5/2024 -
Episode 403: Lillian Werbin (Elderly Instruments)
Publicado: 15/5/2024 -
Episode 402: Sweet Milk and Peaches (Midwestern Schottisches, Polkas, and Jigs)
Publicado: 8/5/2024 -
Episode 401: Keala Venema (Old Time Fiddle, Shamisen, and Chatting with Instruments)
Publicado: 1/5/2024 -
Episode 400: Emily Mann (Relaxed, Notey, G Tunes and Nashville Spring Distractions)
Publicado: 24/4/2024 -
Episode 399: Ian Desiderio (Old Time Jam Democracy)
Publicado: 17/4/2024 -
Tomorrow's episode will be delayed until midday; sorry!
Publicado: 16/4/2024 -
Episode 398: Noa (Bowing Bass and Physical Melodies)
Publicado: 10/4/2024 -
Episode 397: The Carolina Rose (Caroline Oakley and Rose Minkler)
Publicado: 3/4/2024 -
Episode 396: Church for Dogs (New Converts to Contra Dance)
Publicado: 27/3/2024 -
Episode 395: Kaden Hurst (Mandolin's Place in Old Time, Gender in Ballads, and Making a Nice Sound)
Publicado: 20/3/2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.