Audionautic | Covering the Latest in Music Production, Marketing and Technology

Un pódcast de Audionautic

232 Episodo

168: 4 Things We Wish We Knew When We Started Producing
Publicado: 2/7/2025
167: Artist Spotlight: Frequency Control Centre & The 1988 Anomaly
Publicado: 25/6/2025
166: Ableton 12.2 Update: What's New? // What makes our creativity unique?
Publicado: 19/6/2025
165: How should I price my albums? // Evolving Our Sounds
Publicado: 11/6/2025
163: It's (finally) here! Bandcamp Playlists: The Algorithmic Antidote?
Publicado: 28/5/2025
162: Our Favourites from Superbooth
Publicado: 14/5/2025
161: Soundtoys Spaceblender Live Demo: Grab it while it's free! / Getting Ready for Superbooth
Publicado: 7/5/2025
160: Fields of Few Artist Spotlight: Narrative in musical storytelling & Compositions within FL Studio
Publicado: 2/5/2025
159: Spotify's Royalty Payout Reform: One Year On / Debriefing Eonlake's Live Experience
Publicado: 23/4/2025
158: EP-133 Update: Bringing the KO-II into the big league? / Structuring Studio Sessions: best practices
Publicado: 16/4/2025
157: Roland SP-404 MK2 Update: The Low Down and Reaction / Desert Island Devices
Publicado: 9/4/2025
156: Bleass Tides Rolls In: Our First Impressions & Demo
Publicado: 3/4/2025
155: Elektron Digitakt II & Digitone II Updates / Dreadbox Artemis
Publicado: 26/3/2025
Desktop FM Synthesis: Artium Instruments' 'Doppler' is the happy accident machine
Publicado: 19/3/2025
153: Ableton 12.2 Update: New Features, New Specs, New Ideas
Publicado: 12/3/2025
Tune.fm: A new wave in streaming?
Publicado: 6/3/2025
151: Going Galactic: First Impressions of Sketch Audio Galaxy Brain & Fuzz Droid (Sound Demo)
Publicado: 26/2/2025
150: Why Make Physical Media in 2025 and Why You Should Do It
Publicado: 19/2/2025
149: Roland S-1 Review / Stacking vs Staggering Releases
Publicado: 12/2/2025
148: More Spotify Changes in 2025, Streaming 2.0: What It Means for Artists
Publicado: 8/2/2025

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The independent musician's guide to navigating the dynamic landscape of music production and social media promotion. Our weekly podcast is dedicated to unearthing the best kept secrets and practices behind music production and social media marketing, covering everything you need to get started in the music industry. In each episode, the boys cover the most recent news in gear as well as the latest trends, tips and tricks for using social media to build a community around your music.

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232 Episodo

168: 4 Things We Wish We Knew When We Started Producing

167: Artist Spotlight: Frequency Control Centre & The 1988 Anomaly

166: Ableton 12.2 Update: What's New? // What makes our creativity unique?

165: How should I price my albums? // Evolving Our Sounds

163: It's (finally) here! Bandcamp Playlists: The Algorithmic Antidote?

162: Our Favourites from Superbooth

161: Soundtoys Spaceblender Live Demo: Grab it while it's free! / Getting Ready for Superbooth

160: Fields of Few Artist Spotlight: Narrative in musical storytelling & Compositions within FL Studio

159: Spotify's Royalty Payout Reform: One Year On / Debriefing Eonlake's Live Experience

158: EP-133 Update: Bringing the KO-II into the big league? / Structuring Studio Sessions: best practices

157: Roland SP-404 MK2 Update: The Low Down and Reaction / Desert Island Devices

156: Bleass Tides Rolls In: Our First Impressions & Demo

155: Elektron Digitakt II & Digitone II Updates / Dreadbox Artemis

Desktop FM Synthesis: Artium Instruments' 'Doppler' is the happy accident machine

153: Ableton 12.2 Update: New Features, New Specs, New Ideas

Tune.fm: A new wave in streaming?

151: Going Galactic: First Impressions of Sketch Audio Galaxy Brain & Fuzz Droid (Sound Demo)

150: Why Make Physical Media in 2025 and Why You Should Do It

149: Roland S-1 Review / Stacking vs Staggering Releases

148: More Spotify Changes in 2025, Streaming 2.0: What It Means for Artists